Allonzo Trier

A sixth grade basketball phenom in Federal Way, Washington (outside Seattle), Allonzo Trier, 13, is nationally ranked #1 in his age division. His tenacity and discipline are accordingly intense, and have already captured the attention of the N.C.A.A. He trains rigorously seven days a week — with, alternately, a private coach, several teams, and his mother — and receives star treatment that, in decades past, has been reserved for players safely out of adolescence. Now, as high-level recruiters believe they can identify prodigies in increasingly younger kids, “the Allonzo Trier phenomenon” is something everyone wants a piece of: he receives promotional gear courtesy of N.B.A superstars, has a private benefactor who arranged funds for tuition and private tutoring, and is rumored to be sought after by a team that travels by private jet. While in some respects he’s an average kid, relying on mom to nurse wounds and assuage tears, he’s also developing his own proverbial star swagger and brand; his personal motto, emblazoned on his training gear, is “When the lights come on, it’s time to perform.”

No one can guarantee Trier’s future, but the signs are auspicious. Most of the N.B.A’s current younger tier were first trained and targeted at the all-star camps and A.A.U. (Amateur Athletic Union) circuits in which Trier travels. He’s the only child of a single mother living in federally subsidized housing — which also augurs a professional career: historically, many of the best basketball players come from poor neighborhoods and single-parent homes. Marcie, his mother, devotes herself to her son’s career. She trains with him every day (witnessing an average of 3,000 shots per week), immerses herself in basketball culture, maneuvers adeptly in a male-dominated arena, and hopes he’ll grow taller. They both do. Right now, Trier is 5-foot-5: statistically short for a star at his age. It’s a variable they can’t control, but they’re both working tirelessly on those they can.


Written to accompany Lauren Greenfield's photographs for The New York Times Magazine.